Alchemy
[al-kuh-mee]
Alchemy, a part of the Occult Tradition, is both a philosophy and a practice with an ultimately
unknown aim, involving the improvement of the alchemist as well as the making of several
substances described as possessing unusual properties. The practical aspect of alchemy generated
the basics of inorganic chemistry, namely concerning procedures, equipment and the identification
and use of many current substances.
Alchemy has been practiced in Mesopotamia, Ancient Egypt, Persia, India, Japan, Myanmar, Korea
and China, in Classical Greece and Rome, in the Muslim civilizations, and then in Europe up to the
20th century—in a complex network of schools and philosophical systems spanning at least 2500
years.
Alchemy as a philosophical and spiritual discipline
Alchemy was known as the spagyric art after Greek words meaning to separate and to join
together. Compare this with the primary dictum of Alchemy in Latin: SOLVE ET COAGULA —
Separate, and Join Together .
The best-known goals of the alchemists were the transmutation of common metals into gold (called
chrysopoeia) or silver (less well known is plant alchemy, or " spagyric"); the creation of a " panacea,"
or the elixir of life, a remedy that supposedly would cure all diseases and prolong life indefinitely;
and the discovery of a universal solvent. Although these were not the only uses for the science, they
were the ones most documented and well known. Starting with the Middle Ages, Arabic and
European alchemists invested much effort on the search for the " philosopher's stone", a legendary
substance that was believed to be an essential ingredient for either or both of those goals. The
philosopher's stone was believed to mystically amplify the user's knowledge of alchemy so much
that anything was attainable. Alchemists enjoyed prestige and support through the centuries,
though not for their pursuit of those goals, nor the mystic and philosophical speculation that
dominates their literature. Rather it came from their mundane contributions to the "chemical"
industries of the day—ore testing and refining, metalworking, production of gunpowder, ink, dyes,
paints, cosmetics, leather tanning, ceramics, glass manufacture, preparation of extracts, liquors, and
so on (it seems that the preparation of aqua vitae, the "water of life", was a fairly popular "experiment" among European alchemists).
Starting with the Middle Ages, some alchemists increasingly came to view metaphysical aspects as
the true foundation of alchemy; and organic and inorganic chemical substances, physical states, and
molecular material processes as mere metaphors for spiritual entities, spiritual states and ultimately,
spiritual transformations. In this sense, the literal meanings of 'Alchemical Formulas' were a blind,
hiding their true spiritual philosophy, which being at odds with the Medieval Christian Church was a
necessity that could have otherwise lead them to the "stake and rack" of the Inquisition under
charges of heresy. Thus, both the transmutation of common metals into gold and the universal
panacea symbolized evolution from an imperfect, diseased, corruptible and ephemeral state
towards a perfect, healthy, incorruptible and everlasting state; and the philosopher's stone then
represented some mystic key that would make this evolution possible. Applied to the alchemist
himself, the twin goal symbolized his evolution from ignorance to enlightenment, and the stone
represented some hidden spiritual truth or power that would lead to that goal. In texts that are
written according to this view, the cryptic alchemical symbols, diagrams, and textual imagery of late
alchemical works typically contain multiple layers of meanings, allegories, and references to other
equally cryptic works; and must be laboriously "decoded" in order to discover their true meaning.
In his Alchemical Catechism , Paracelsus clearly denotes that his usage of the metals was a symbol:
Q. When the Philosophers speak of gold and silver, from which they extract their matter, are we to
suppose that they refer to the vulgar gold and silver? A. By no means; vulgar silver and gold are
dead, while those of the Philosophers are full of life.
Psychology
Alchemical symbolism has been occasionally used by psychologists and philosophers. Carl Jung
reexamined alchemical symbolism and theory and began to show the inner meaning of alchemical
work as a spiritual path. Alchemical philosophy, symbols and methods have enjoyed something of a
renaissance in post-modern contexts.
Jung saw alchemy as a Western proto-psychology dedicated to the achievement of individuation. In
his interpretation, alchemy was the vessel by which Gnosticism survived its various purges into the
Renaissance. In this sense, Jung viewed alchemy as comparable to a Yoga of the East. The practice of
Alchemy seemed to change the mind and spirit of the Alchemist. His interpretation of Chinese
alchemical texts in terms of his analytical psychology also served the function of comparing Eastern
and Western alchemical imagery and core concepts and hence its possible inner sources
( archetypes).
Magnum opus
The Great Work ; mystic interpretation of its three stages:
nigredo(-putrefactio) , blackening(-putrefaction): individuation, purification, burnout of impurity;
''see also Suns in alchemy - Sol Niger
albedo , whitening: spiritualisation, enlightenment
rubedo , reddening: unification of man with god, unification of the limited with the unlimited.
Within the Magnum Opus, was the creation of the Sanctum Moleculae, that is the 'Sacred Masses'
that were derived from the Sacrum Particulae, that is the 'Sacred Particles', needed to complete the
process of achieving the Magnum Opus.
Alchemy as a subject of historical research
The history of alchemy has become a vigorous academic field. As the obscure hermetic language of
the alchemists is gradually being "deciphered", historians are becoming more aware of the
intellectual connections between that discipline and other facets of Western cultural history, such as
the sociology and psychology of the intellectual communities, kabbalism, spiritualism,
Rosicrucianism, and other mystic movements, cryptography, witchcraft, and the evolution of science
and philosophy.
History
The origins of Western alchemy are traceable back to ancient Egypt. Greek and Indian philosophers
later theorized that there were only four classical elements (rather than that of today's 112 chemical
elements); Earth, Fire, Water, and Air. The Greek philosophers, in order to prove their point, burned
a log: The log was the earth, the flames burning it was fire, the smoke being released was air, and
the smoldering soot at the bottom was bubbling water. Because of this, the belief that these four
"elements" were at the heart of everything soon spread, only later being replaced in the Middle
Ages by Geber's theory of seven elements, which was then replaced by the modern theory of
chemical elements during the early modern period.
Alchemy encompasses several philosophical traditions spanning some four millennia and three
continents. These traditions' general penchant for cryptic and symbolic language makes it hard to
trace their mutual influences and "genetic" relationships. Alchemy starts becoming much clearer in
the 8th century with the works of the Islamic alchemist, Jabir ibn Hayyan (known as "Geber" in
Europe), who introduced a methodical and experimental approach to scientific research based in the
laboratory, in contrast to the ancient Greek and Egyptian alchemists whose works were mainly
allegorical.
Other famous alchemists include Wei Boyang in Chinese alchemy; Calid and Rhazes in Islamic
alchemy; Nagarjuna in Indian alchemy; and Albertus Magnus and pseudo-Geber in European
alchemy; as well as the anonymous author of the Mutus Liber, published in France in the late 17th
century, and which was a 'wordless book' that claimed to be a guide to making the philosopher's
stone, using a series of 15 symbols and illustrations. The philosopher's stone was an object that was
thought to be able to amplify ones power in alchemy, and, if possible, grant the user ageless
immortality, unless he fell victim to burnings or drowning; the common belief was that fire and
water were the two greater elements that were implemented into the creation of the stone.
In the case of the Chinese and European alchemists, there was a difference between the two. The
European alchemists tried to transmute lead into gold, and, no matter how futile or toxic the
element, would continue trying until it was royally outlawed later into the century. The Chinese,
however, paid no heed to the philosopher's stone or transmutation of lead to gold; they focused
more on medicine for the greater good. During Enlightenment, these "elixirs" were a strong cure for
sicknesses, unless it was a test medicine. Most tests were generally fatal, but stabilized elixirs served
great purposes. On the other hand, the Islamic alchemists were interested in alchemy for a variety of
reasons, whether it was for the transmutation of metals or artificial creation of life, or for practical
uses such as Islamic medicine or the chemical industries.
A tentative outline is as follows:
Egyptian alchemy [5000 BCE – 400 BCE], beginning of alchemy
Indian alchemy [1200 BCE – Present], related to Indian metallurgy; Nagarjuna was an important
alchemist
Greek alchemy [332 BCE – 642 CE], studied at the Library of Alexandria
Chinese alchemy [142 CE], Wei Boyang writes The Kinship of the Three
Islamic alchemy [700 – 1400], Muslims did not have alchemists because creation of artificial life is
against their beliefs.
Islamic chemistry [800 – Present], Alkindus and Avicenna refute transmutation, Rhazes refutes four
classical elements, and Tusi discovers conservation of mass
European alchemy [1300 – Present], Saint Albertus Magnus builds on Arabic alchemy
European chemistry [1661 – Present], Boyle writes The Sceptical Chymist , Lavoisier writes Elements
of Chemistry , and Dalton publishes his Atomic Theory
Etymology
Alchemy, generally, derives from the old French alkemie; from the Arabic al-kimia: "the art of
transformation." Some scholars believe the Arabs borrowed the word “kimia” from Greek. Others,
such as Mahdihassan, argue that its origins are Chinese.
Thus, an alchemist was called a 'chemist' in popular speech, and later the suffix "-ry" was added to
this to describe the art of the chemist as "chemistry".
Modern alchemy
Islamic alchemy was a forerunner of modern scientific chemistry. Alchemists used many of the same
laboratory tools that are used today. These tools were not usually sturdy or in good condition,
especially during the medieval period of Europe. Many transmutation attempts failed when
alchemists unwittingly made unstable chemicals. This was made worse by the unsafe conditions.
Up to the 16th century, alchemy was considered serious science in Europe; for instance, Isaac
Newton devoted considerably more of his time and writing to the study of alchemy (see Isaac
Newton's occult studies) than he did to either optics or physics, for which he is famous. Other
eminent alchemists of the Western world are Roger Bacon, Saint Thomas Aquinas, Tycho Brahe,
Thomas Browne, and Parmigianino. The decline of alchemy began in the 18th century with the birth
of modern chemistry, which provided a more precise and reliable framework for matter
transmutations and medicine, within a new grand design of the universe based on rational
materialism.
In the first half of the nineteenth century, one established chemist, Baron Carl Reichenbach, worked
on concepts similar to the old alchemy, such as the Odic force, but his research did not enter the
mainstream of scientific discussion.
Matter transmutation, the old goal of alchemy, enjoyed a moment in the sun in the 20th century
when physicists were able to convert platinum atoms into gold atoms via a nuclear reaction.
However, the new gold atoms, being unstable isotopes, lasted for under five seconds before they
broke apart. More recently, reports of table-top element transmutation—by means of electrolysis or
sonic cavitation—were the pivot of the cold fusion controversy of 1989. None of those claims have
yet been reliably duplicated.
Alchemy in traditional medicine
Traditional medicines involve transmutation by alchemy, using pharmacological or a combination of
pharmacological and spiritual techniques. In Chinese medicine the alchemical traditions of pao zhi
will transform the nature of the temperature, taste, body part accessed or toxicity. In Ayurveda the
samskaras are used to transform heavy metals and toxic herbs in a way that removes their toxicity.
In the spagyric processing of herbal medicine similar effects are found. These processes are actively
used to the present day.
Nuclear transmutation
In 1919, Ernest Rutherford used artificial disintegration to convert nitrogen into oxygen. From then
on, this sort of scientific transmutation is routinely performed in many nuclear physics-related
laboratories and facilities, like particle accelerators, nuclear power stations and nuclear weapons as
a by-product of fission and other physical processes.
Synthesis of noble metals
The synthesis of noble metals refers to the realization of the age-old dream of alchemists—to
artificially produce noble metals. The goal of this could be to achieve greater economic gain when
compared to traditional methods of obtaining noble metals. Synthesis of noble metals is only
possible with methods of nuclear physics, either using nuclear reactors or by particle accelerators.
Particle accelerators require huge amounts of energy, while nuclear reactors produce energy, so
only production methods utilizing a nuclear reactor are of economic interest.
In popular culture
The subject of alchemy is extensively used in many cartoons and comic books, often in the form of
superpowers. In some Japanese anime and manga, most notably Fullmetal Alchemist, alchemy and
transmutation are treated as sciences, mixed with magic but fully understandable and utilizable with
proper knowledge. Fullmetal Alchemist also refers to equivalency or equivalent exchange for
alchemy to work; i.e to create, something of equal value must be lost, thus making something into
something related or new. In Buso Renkin, alchemy is used primarily as a means for superpowers.
In contemporary art
In the twentieth century alchemy was a profoundly important source of inspiration for the Surrealist
artist Max Ernst, who used the symbolism of alchemy to inform and guide his work. M.E. Warlick
wrote his Max Ernst and Alchemy describing this relationship in detail.
Contemporary artists use alchemy as inspiring subject matter, like Odd Nerdrum, whose interest has
been noted by Richard Vine, and the painter Michael Pearce , whose interest in alchemy dominates
his work. His works Fama and The Aviator's Dream particularly express alchemical ideas in a painted
allegory.
Scotsman Adam MacLean has made the study and revitalization of alchemy his life, reproducing
seminal texts in hand bound leather covered editions and making fine quality copies of important
alchemical imagery.
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